{"created":"2024-04-12T01:59:53.964393+00:00","id":2000085,"links":{},"metadata":{"_buckets":{"deposit":"daf35717-39e9-4cda-8197-dd4bdd12a3c9"},"_deposit":{"created_by":4,"id":"2000085","owner":"4","owners":[4],"pid":{"revision_id":0,"type":"depid","value":"2000085"},"status":"published"},"_oai":{"id":"oai:okinawauniversity.repo.nii.ac.jp:02000085","sets":["1:14:1712883956435"]},"author_link":[],"control_number":"2000085","item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2024-02","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"31","bibliographicPageEnd":"55","bibliographicPageStart":"35","bibliographic_titles":[{"bibliographic_title":"地域研究","bibliographic_titleLang":"ja"},{"bibliographic_title":"Regional Studies","bibliographic_titleLang":"en"}]}]},"item_10002_description_6":{"attribute_name":"内容記述","attribute_value_mlt":[{"subitem_description":"本稿は、1990年代の沖縄戦に関する二つのフィルムを取り上げ、フィルムメーカーたちが、どのようにして米軍の戦争のフッテージに描かれた内的なイメージの構造を、軍事中心的なナラティブから、人びとにより焦点がおかれたナラティブへと変容させようと試みたのかについて考察する。ここで取り上げるフィルムは、米軍が撮影した沖縄戦関連のフィルムの収集および上映をおこなう市民による平和文化活動「１フィート運動の会」が、ほぼ全編が米軍のフッテージを再編集して作られた『１フィート映像でつづるドキュメント沖縄戦』（1995年）と、沖縄戦の記憶、とりわけ、「集団自決」を題材に、戦後フランスで最も影響力のある映像作家の一人であるクリス・マルケルが監督した映画『レベル５』（1997年）である。これら二つのフィルムは、制作の主体、意図、あるいは、長さ、手法、ストーリーライン、ナラティブ、プロットなどは異なっているが、いずれも、米軍の戦争フッテージを利用し、そして、1945年の第二次世界大戦終結から50年という節目を意識して1995年前後に制作・公開されたという共通点がある。本稿では、これら二つのフィルムがそれぞれ、いかなる現代史の記憶を蘇らせようと試みたのか、また、戦場の人びとの現実、すなわち、硝煙弾雨の向こう側をどのように想像しようとしたのか、さらに、観客と戦場の人びとのあいだにどのような関係を作ろうとしたのかという点に焦点を当てる。","subitem_description_language":"ja","subitem_description_type":"Abstract"},{"subitem_description":"This paper explores how the filmmakers of two films on the Battle of Okinawa, those which were created in the mid to late 1990s, attempted to transform the inner structure of the images in the U.S. military footage of the Battle from a military-centered narrative to a people-centered one. One of the two films is A Document of the Battle of Okinawa: Told One Foot at a Time （1995）, which was produced by the Okinawa’s citizens’ movement for collection of the war footage regarding the Battle of Okinawa （the One-Foot Movement Group）, and the other is Level 5（ 1997）, which was directed by one of the most influential directors in postwar France, Chris Marker. It focuses on war and memory in Okinawa, particularly “collective suicide.” These two films are different from each other in their production processes, means, purposes, lengths, plots, storylines, narrative forms, and so on. However, both edited and used U.S. military footage about the battle and prompted profound reconsideration of war memories and their significance in the context of the 50th commemoration of the end of the Second World War. This paper focuses on how both films attempted to revitalize the memory of contemporary history and imagine the realities behind the powder smoke and hail of bullets.\nThe paper also seeks to develop the connections between people on the battleground and those in the audience.","subitem_description_language":"en","subitem_description_type":"Abstract"}]},"item_10002_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.34415/0002000085","subitem_identifier_reg_type":"JaLC"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"沖縄大学地域研究所"}]},"item_10002_relation_16":{"attribute_name":"情報源","attribute_value_mlt":[{"subitem_relation_name":[{"subitem_relation_name_text":"地域研究"}]}]},"item_10002_rights_15":{"attribute_name":"権利","attribute_value_mlt":[{"subitem_rights":"沖縄大学地域研究所"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"1881-2082","subitem_source_identifier_type":"ISSN"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"若林, 千代","creatorNameLang":"ja"},{"creatorName":"ワカバヤシ, チヨ","creatorNameLang":"ja-Kana"},{"creatorName":"WAKABAYASHI, Chiyo","creatorNameLang":"en"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_access","date":[{"dateType":"Available","dateValue":"2024-04-12"}],"displaytype":"detail","fileDate":[{"fileDateType":"Issued"}],"filename":"No31p35.pdf","filesize":[{"value":"846 KB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"No31p35","objectType":"fulltext","url":"https://okinawauniversity.repo.nii.ac.jp/record/2000085/files/No31p35.pdf"},"version_id":"6e4c4106-a644-453c-b908-d04368f4e79d"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"沖縄戦","subitem_subject_language":"ja"},{"subitem_subject":"戦争記憶","subitem_subject_language":"ja"},{"subitem_subject":"米軍フッテージ（記録映像）","subitem_subject_language":"ja"},{"subitem_subject":"１フィート運動","subitem_subject_language":"ja"},{"subitem_subject":"「集団自決」","subitem_subject_language":"ja"},{"subitem_subject":"The Battle of Okinawa","subitem_subject_language":"en"},{"subitem_subject":"War Memory","subitem_subject_language":"en"},{"subitem_subject":"U.S. Military Footage （Archival Film）","subitem_subject_language":"en"},{"subitem_subject":"The One-Foot Movement","subitem_subject_language":"en"},{"subitem_subject":"“Collective Suicide”","subitem_subject_language":"en"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"硝煙弾雨の向こう側 ―戦争フッテージと沖縄戦をめぐる二つのフィルム―","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"硝煙弾雨の向こう側 ―戦争フッテージと沖縄戦をめぐる二つのフィルム―","subitem_title_language":"ja"},{"subitem_title":"Behind the Powder Smoke and Hail of Bullets: ―War Footage and Two Films on the Battle of Okinawa―","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"4","path":["1712883956435"],"pubdate":{"attribute_name":"公開日","attribute_value":"2024-04-12"},"publish_date":"2024-04-12","publish_status":"0","recid":"2000085","relation_version_is_last":true,"title":["硝煙弾雨の向こう側 ―戦争フッテージと沖縄戦をめぐる二つのフィルム―"],"weko_creator_id":"4","weko_shared_id":-1},"updated":"2024-04-12T02:15:18.888100+00:00"}